Art and Race Matters: The Career of Robert Colescott
29 May – 31 October
Art and Race Matters: The Career of Robert Colescott is the first comprehensive retrospective of one of the United States’ most compelling and provocative artists who—through vibrant paintings laced with biting satire—confronted issues of race, gender, identity, and the uncomfortable realities of American life in the latter half of the 20th century.
Unraveling: Aranda\Lasch & Terrol Dew Johnson
12 June – 26 September
Between the Sky and the Water
13 December – 2 May 2021
Architecture for Nature
Carrie Mae Weems
RESIST COVID/TAKE 6!
Sarasota Art Museum launched its participation in Carrie Mae Weems’ public awareness campaign RESIST COVID/TAKE 6! in July of 2020. The project delivers Weems’ characteristic dual force of powerful, yet sobering image-text unions – here, concerned with COVID-19 and the disproportionate effects on Black, Latinx, and Native communities as a result of healthcare inequities.
Material Witness, Five Decades of Art
15 October - 15 November 2020
Color. Theory. & (b/w)
14 December 2019 - 25 October 2020
14 December 2019 - 13 March 2020
Celadon Landscape is constructed from ceramic discards collected from numerous kilns in Korea. These shards are the result of potters destroying finished ceramic vessels with any minor imperfections. Shin views the celadon fragments as a metaphor of the Korean diaspora, vibrant artifacts of the Korean people, their history and culture that are scattered all over the world to form new identities elsewhere. The term celadon also refers to the soft, pale grey-green color achieved by coating the clay with an iron-rich glaze that oxidizes during the heating process.
14 December 2019 - 8 March 2020
Vik Muniz is distinguished as one of the most innovative and creative artists of our time. Endlessly playful and inventive in his approach, Muniz harnesses a remarkable virtuosity in creating his renowned “photographic delusions”. Working with a dizzying array of unconventional materials including sugar, tomato sauce, diamonds, magazine clippings, chocolate syrup, dust, and junk Muniz painstakingly builds tableaux before recording them with his camera. From a distance the subject of each resulting photograph is discernible; up close, the work reveals a complex and surprising matrix through which it is assembled. That revelatory moment when one thing transforms into another is of deep interest to the artist.