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Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press

May 4–August 10, 2025

Featuring works by 17 artists, this nationally traveling exhibition celebrates African American artists who are reshaping the contemporary art world, including Martin Puryear, Kerry James Marshall, and the Gee’s Bend Quilters.

Kerry James Marshall (American, born 1955). Untitled (Handsome Young Man), 2010.
Hard ground etching with aquatint, 24.5 x 19 in. Courtesy of Paulson Fontaine Press, Berkeley, CA.

Chris Friday: Where We Never Grow Old 

May 4–August 10, 2025

Multidisciplinary artist Chris Friday invites visitors into imagined sanctuaries in her first solo museum exhibition. Best known for her large-scale, yet intimate, figurative chalk drawings, Friday explores the literal and metaphorical safe havens we create for self-preservation in her new site-specific installation.

Chris Friday. Rest as Reparations Series: Untitled, Amerie (detail), 2022.
Chalk on black archival paper, approx. 192 x 54 in. Courtesy of the artist. Photo: Amir Aghareb.

Jillian Mayer: Slumpies

May 4, 2025–August 19, 2026

Mayer explores the impact of technology on the human body through this interactive sculpture series. Slumpies invites viewers to sit, climb, and slump on these sculptures, much like furniture, and find a place of comfort while using their technological devices.

Jillian Mayer. Installation view of "Slumpies", 2017. Fiberglass, polyurethane plastic, wood, and acrylic. Courtesy of the artist.
Jillian Mayer. Installation view of Slumpies, 2017.
Fiberglass, polyurethane plastic, wood, and acrylic. Courtesy of the artist.

Lillian Blades: Through the Veil

June 1–October 26, 2025

Blades invites visitors to enter, wander through, and lose themselves within an immersive maze of mixed-media “veils.”  These radiant tapestries suspended from the ceiling shimmer with reflective surfaces, activating the space with bouncing light and color.

Lillian Blades (Bahamian, born 1973). Perennial (detail), 2024. Courtesy of the artist. Photo: Cydney Maria Rhines.

Art Deco: The Golden Age of Illustration

August 31, 2025–March 29, 2026

Showcasing 70 rare posters along with sculptures, cocktail shakers, and furniture pieces, this exciting exhibition celebrates the centennial anniversary of Art Deco and the artistic significance it brought to the early 20th-century.

A. M. Cassandre, L'Intransigeant, 1925.
Collection of the Crouse Family. Image credit: Courtesy of Poster House.

Selina Román: Abstract Corpulence

August 31, 2025–March 29, 2026

Selina Román blends photography, abstraction, and self-portraiture to explore themes of beauty and the politics of size. Roman’s photographs transform the gallery into a space of quiet resistance, subverting traditional ideas of feminine beauty.

Selina Román (American, 1978). XS12, 2021.
Dye sublimation on aluminum. Courtesy of the artist.

Janet Echelman: Radical Softness

November 16, 2025–April 26, 2026

Experience an intimate look at award-winning and internationally recognized artist Janet Echelman’s artistic evolution, from early explorations in drawing, painting, and textiles to the monumental netted sculptures that have redefined public spaces around the world.

Janet Echelman (American). Study (Butterfly Rest Stop 1/9 scale), Rome, Italy, 2022.
Courtesy of the artist. Photo: Giovanni DeAngelis.

Something Borrowed, Something New

April 19–September 27, 2026

Featuring works by such acclaimed modern and contemporary artists as Louise Bourgeois, Chuck Close, Yoko Ono, David Hockney, Ai Weiwei, and more, this never-before-seen exhibition offers a rare glimpse into private collections held throughout Southwest Florida.

William Villalongo (American, born 1975). Mother Tongue, 2020.
Acrylic, cut velour paper and pigment print collage, 40 x 40 in. (sheet); 44 ⅛ x 43 ⅜ in. (frame). Courtesy of ©Villalongo Studio LLC and Susan Inglett Gallery, NYC

Maria A. Guzmán Capron: New Works

April 19–September 27, 2026

Maria A. Guzmán Capron explores the complexities of identity through vibrant figurative textiles. Drawing inspiration from her own multicultural heritage, the artist creates layered portraits of exuberant, multi-faceted characters in this new solo exhibition.

Maria A. Guzmán Capron. Eros, 2022.
Fabric, thread, batting, stuffing, spray paint and acrylic paint, 81 x 87 x 1 1/2 in. Courtesy of the artist and Nazarian / Curcio.

Beautiful Ideas: The Prints of Sol LeWitt

May 17–October 25, 2026

Sol LeWitt is regarded as one of the founders of both minimalism and conceptual art.  Beautiful Ideas explores the artist’s extensive body of prints, beginning with his earliest works and extending through his mature expressions in abstraction.

Sol LeWitt (1928 - 2007) Loopy Doopy, Blue/Red, 2000 Oil-based woodcut 20 5/8 × 28 5/8 in. (52.3 × 72.6 cm) New Britain Museum of American Art, Gift of Sol LeWitt © Estate of Sol LeWitt 2025
Sol LeWitt (1928-2007). Loopy Doopy, Blue/Red, 2000.
Oil-based woodcut. 20 5/8 × 28 5/8 in. (52.3 × 72.6 cm). New Britain Museum of American Art, Gift of Sol LeWitt. © Estate of Sol LeWitt 2025