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Jillian Mayer: Slumpies

April 21, 2025–September 2026

Jillian Mayer’s Slumpies are a series of sculptures that blur the line between fine art and functional object. They also respond to our increasingly fraught relationship with technological devices. Resisting our technologically driven, luxury-saturated, and consumer-market-oriented culture, these sculptures instead promise relief from the strain of interacting with digital devices.
Jillian Mayer. Installation view of "Slumpies", 2017. Fiberglass, polyurethane plastic, wood, and acrylic. Courtesy of the artist.
Jillian Mayer. Installation view of Slumpies, 2017.
Fiberglass, polyurethane plastic, wood, and acrylic. Courtesy of the artist.

Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press

May 4–August 10, 2025

Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press presents 17 artists who capture the personal narratives and political discourses of African Americans across the country, reflecting a collective experience expressed in uniquely individual ways. This powerful exhibition of figurative and abstract artworks channels the poetics of the human experience–from past and present–and boldly presents ideas about history, identity, personal stories, and spiritual inspiration.

Kerry James Marshall (American, born 1955). Untitled (Handsome Young Man), 2010.
Hard ground etching with aquatint, 24.5 x 19 in. Courtesy of Paulson Fontaine Press, Berkeley, CA.

Chris Friday: Where We Never Grow Old 

May 4–August 10, 2025

Chris Friday is a multidisciplinary artist best known for her larger-than-life yet intimate figurative drawings, meticulously created in chalk on black paper. For her first solo museum exhibition, she explores the notion of “incorruptible environments.” These are the imagined sanctuaries we construct in our minds—our refuge from the harsh realities of the modern world—and the worlds we aspire to bring to life. Tradition, religion, and culture form the bedrock of these environments, while nostalgia and memory act as potent vessels, preserving ideas of self, community, and identity. Friday’s diverse works, ranging from large-scale drawings to textiles and sculptures, will serve as a contemplation of the “archive” and its potential role in (re)defining Blackness in media and popular culture.

Chris Friday. Rest as Reparations Series: Untitled, Amerie (detail), 2022.
Chalk on black archival paper, approx. 192 x 54 in. Courtesy of the artist. Photo: Amir Aghareb.