After painting for only six years, David Budd (1927-1991, Florida) dove into the New York art scene in the 1950s —immersing himself in Abstract Expressionism and working alongside iconic names of the movement, such as Jackson Pollock, Willem de Kooning, and Franz Kline. His paintings, like others of the time, relied on the bodily relationship between the artist and canvas —each stroke and mark of the artist encapsulated in viscous gestures of paint—and spontaneity; although, this is not to say that Budd painted hastily—each mark was placed with intention to animate the canvas’s surface.