Watercolor, vinyl paint, pastel, silkscreen printing, rubber stamping, hot stamping, and metal leaf on paper stretched over wood and gator board panel, 96 x 96 in. (overall); 48 x 48 in. (each panel). Courtesy the artist and Lehmann Maupin, New York, Seoul, and London. Photo: Daniel Kukla.
Spray paint on PVC coated ripstop nylon, fan, approx. 7 x 6 x 6 ft. Courtesy of the artist.
Ceramic, 220 in. x 324 in. Courtesy of the artist. Photo: John Polak.
Photo: Coke Wisdom O'Neal
Staccato
2017/2022
Ceramic
40 x 270 in.
Courtesy of the artist and Todd Merrill Studio
Now
Larry Fink / Martha Posner: Flesh and Bone
November 17, 2024–April 13, 2025
This exhibition explores the creative dialogue between photographer Larry Fink (1941-2023) and sculptor Martha Posner (born 1956), who were romantic partners for more than 30 years. Radically different artists, their work nonetheless shares common themes of desire, vulnerability, and brutality. Both also explore myth throughout their art: Posner explicitly, through her re-imagining of female subjects from various legends and mythic traditions; Fink implicitly, through his shrewd eye for human impulse, folly, and bravado, qualities he found in almost every scenario no matter how base or exalted.
©️ Larry Fink/MUUS Collection.
Joe Fig: Contemplating Vermeer
November 17, 2024–April 13, 2025
A nationally exhibited artist based in Sarasota, Joe Fig is known for his Contemplating series—small, intimate paintings of people looking at artwork in museums and galleries.
Joe Fig: Contemplating Vermeer records Fig’s encounter with the blockbuster Johannes Vermeer exhibition at the Rijksmuseum, Amsterdam in 2023. Focusing not only on the gallery space and over a dozen of Vermeer’s canvases but also on the visitors looking at the art, Fig invites viewers to contemplate art and the experience it allows us to share.
Oil on linen mounted on MDF board, 13 ½ x 14 ½ in. Courtesy of the artist.
Tammy Nguyen: Timaeus and the Nations
Photo: Axel Dupeux. Courtesy Lehmann Maupin and the artist.
Claire Ashley: Chromatic Blush
October 20, 2024-January 19, 2025
Step into the immersive world of colorfully painted vibrant inflatables by Claire Ashley (Scottish, born 1971). For over a decade, she has used inflatables as both sculptures and paintings, mining the language of painterly abstraction, monumental installation, and slapstick humor. For Ashley, the inflatable form in its two states–inflated and deflated–offers a compelling metaphor for the human body, echoing its processes of tension and release. Challenging conventional notions of beauty and taste, Ashley presents her lumpy and luminous creations as both self-portraits and embodiments of broader narratives relating to femme bodies and cultural norms. Accompanied by a soundscape, Chromatic Blush invites viewers to bask in their voluminous presence, aglow and emanating uninhibited, jubilant energy. Imagine, along with Ashley, an evolutionary future where new hybrid organisms emerge out of the Anthropocene.
Spray paint on PVC coated ripstop nylon, fan, approx. 7 x 6 x 6 ft. Courtesy of the artist.
Ceramic, 220 in. x 324 in. Courtesy of the artist. Photo: John Polak.
Molly Hatch: Amalgam
Inside Out
Photo: Coke Wisdom O'Neal
Staccato
2017/2022
Ceramic
40 x 270 in.
Courtesy of the artist and Todd Merrill Studio
