Two paintings by father and son juxtaposed to show similar purple red and blue treatments
Paintings of two different styles in blue
Syd Solomon (American, 1917–2004). Cloudcall (detail), 1968. Acrylic and aerosol enamel on canvas, 48 x 60 in. Photo courtesy Estate of Syd Solomon / Berry Campbell Gallery, New York; and Mike Solomon (American, b. 1956). Clarity Girl (detail), 2025. Acrylic on polyester sheets, 58 x 58 in. Courtesy of the artist.
Acrylic and aerosol enamel painting in a t shape.
Syd Solomon (American, 1917–2004). Shoreday (detail), 1979.
Acrylic and aerosol enamel on canvas, 52 x 136 in. Photo courtesy Estate of Syd Solomon / Berry Campbell Gallery, New York.
Stripe colors in yellows greens blues and ochre on a painted canvas
Mike Solomon (American, b. 1956). Set It, 2025.
Acrylic on polyester sheets, 58 x 58 in. Courtesy of the artist.
Acrylic abstract painting using blues and reds
Syd Solomon (American, 1917–2004). Daysend, 1975.
Acrylic and aerosol enamel on canvas, 60 x 66 in. Photo courtesy Estate of Syd Solomon / Berry Campbell Gallery, New York.
Stripe colors on a painted canvas
Mike Solomon (American, 1956). Nice Heat, 2025. Acrylic on polyester sheets, 58 x 58 in.

Double Feature: Mike Solomon and Syd Solomon

May 16–October 31, 2027

Experience the artistic legacy of Sarasota and New York-based artists Mike and Syd Solomon in Double Feature. Syd Solomon’s sweeping gestures and bold colors, inspired by the Sarasota landscape, made him a highly regarded artist of the Abstract Expressionist movement in the mid-20th century. After moving to the Gulf Coast in the mid-1940s, Solomon helped put Sarasota on the map as a destination for modern art, encouraging his New York-based artistic colleagues to live and work in Florida. Today, Mike Solomon carries on the creative continuum with his ethereal body of work, influenced by spirituality and material exploration. Bruce Helander for the Huffington Post called Mike Solomon, “a tastemaker if there ever was one.” Exhibited in side-by-side galleries, the works of father and son create an intergenerational dialogue between modernist and contemporary practices and celebrate Sarasota as a wellspring of artistic inspiration and ongoing influence.
Double Feature: Mike Solomon and Syd Solomon is organized by Sarasota Art Museum of Ringling College of Art and Design and curated by Elana Rubinfeld, guest curator with Rangsook Yoon, former senior curator.

This exhibition is made possible, in part, with generous support from:


Platinum Sponsors
Judy and Fred Fiala


Gold Sponsor
Cynthia McCague

Essay

Happenings

Sol LeWitt (1928 - 2007) Loopy Doopy, Blue/Red, 2000 Oil-based woodcut 20 5/8 × 28 5/8 in. (52.3 × 72.6 cm) New Britain Museum of American Art, Gift of Sol LeWitt © Estate of Sol LeWitt 2025

Sarasota Art Museum to Present Major Survey of Prints by Conceptual Art Pioneer Sol LeWitt

Sarasota Art Museum of Ringling College of Art and Design (SAM) is pleased to present “Beautiful Ideas: The Prints of Sol LeWitt,” on view from May 17 through October 25, 2026. This exhibition explores the extensive printmaking career of Sol LeWitt (1928–2007), a leader of the American Minimalism and Conceptual art movements who famously declared that “the idea becomes a machine that makes the art.”

Woman at a pool club posing with two men playing pool in the background

Sarasota Art Museum Announces its 2026-2027 Season Exhibition Schedule

Sarasota Art Museum of Ringling College of Art and Design (SAM) announces its 2026-2027 season, featuring a lineup of seven exhibitions including works by some of the most beloved and influential photographers of the 20th-century, award-winning glass artists, a father and son artistic lineage, multiple Ringling College of Art and Design talents and more.