In 2017, a bricklayer was working on south façade of the 1926 Elliott building. As he swiped a trowel of mortar, brick in hand, poised to place, he paused, turned to Geran Harris of Willis Smith Construction and said “You know Geran, 100 years ago, guys just like us first laid these bricks.”
That simple, yet movingly profound acknowledgement set this project in motion.
Building a new art museum involves thousands of people. Some of those people’s names will be on brass plaques and some names will grace galleries and lobby walls. The names of others will be in archives and files and rosters and press clippings. But there is a group of people who were integral in physically reshaping the historic Sarasota High School—the construction workers. Their skills, experience, expertise, training, intelligence, ingenuity, tradecraft and work ethic all come together in the hands that laid the brick, sawn the lumber, welded the steel, and ran the lines.
The Museum commissioned SHS alumna Barbara Banks to celebrate and memorialize the workers. Banks is an accomplished photographer, whose creative path was forged at the historic Sarasota High School, where she studied under H.O. Davis, an artist and educator who inspired countless students at the high school. She was the ideal creative partner for this project.
Barbara Banks’ exquisite portrait photographs of the individuals who lent their talents to remake the building celebrate a class of people who often remain invisible. Banks’ project, Worker, seeks to make visible the invisible, to put a face to the labor that resulted in the Museum.
– Barbara Banks
This project comes at an interesting time in the economic history of the United States, and the history of labor globally. We are on the cusp of a seismic shift in labor, as mass automation looms on the horizon. What we see in these photographs—manual labor connecting human beings across millennium—will soon be a rarity, rather than the norm. The craft involved in these trades cannot be replicated by machine, and the micro-decisions and judgments that craft and trade people exhibit in the field—their connoisseurship—will never be replicated by a machine. Millions of years of evolution—the iterative design process—have gone into refining the machine that is the human body. A.I. simply can’t compete with human creativity.
Photos from the Exhibition
Ariel and Benny
Barry and Bradley
Chris, Travis, Jorge, Jason, and Dennis
Ed, AJ, and Brad
Eunice and Quirina
Freddy and Alfredo
Joe, Javier, Chris, Dennis, and Cornelio
Jose and James
Jose, Jesse, Willy, and Colvyn
Omar, Gordon, and George
Travis and Jason