Black and white drawing of youth lying on their side with the words "Some Glad morning" written in cursive beneath. Gold ceramic flowers surround the head of the figure. — Chris Friday. Future Venus II of Future Venus in Two Parts, 2025. Chalk on black archival paper, approx. 48 x 166 in.; and Age of Innocence, 2025. Hand-built, kiln-fired ceramic, glaze, solid gold luster. Installation view of Chris Friday: Where We Never Grow Old at Sarasota Art Museum, Sarasota, Florida, 2025. Photo: Ryan Gamma.

Drawing in black and white of a youth sleeping on their back with a charm bracelet in ceramic gold above them. — Chris Friday. Future Venus I of Future Venus in Two Parts, 2025. Chalk on black archival paper, approx. 48 x 154 in.; and Charmed Life, 2025. Hand-built, kiln-fired ceramic, glaze, solid gold luster. Installation view of Chris Friday: Where We Never Grow Old at Sarasota Art Museum, Sarasota, Florida, 2025. Photo: Ryan Gamma.

black and white drawing of senior black woman sitting and standing with the words where the shadows of the life have gone. — Chris Friday. Mother/Midas as liminal space, 2025. Chalk on black archival paper, approx. 40 x 96 in. each. Installation view of Chris Friday: Where We Never Grow Old at Sarasota Art Museum, Sarasota, Florida, 2025. Photo: Ryan Gamma.

Black and white drawing of a woman sitting in a chair with her back to the viewer surrounded by ceramic food items painted gold. — Chris Friday. Mother/Midas as liminal space, 2025. Chalk on black archival paper, approx. 24 x 24 in.; and “The only thing deviled round here is eggs,” "Fry that into a dome, slice it, take a spatula, smush fry it," “That lil ole scoop?” series, High on the hog, and more, 2025. Hand-built kiln-fired ceramic, glaze solid gold luster. Installation view of Chris Friday: Where We Never Grow Old at Sarasota Art Museum, Sarasota, Florida, 2025. Photo: Ryan Gamma.

Chris Friday: Where We Never Grow Old

May 4, 2025 – August 10, 2025

Multidisciplinary artist Chris Friday invites visitors into imagined sanctuaries in her first solo museum exhibition, Chris Friday: Where We Never Grow Old. Best known for her large-scale, yet intimate, figurative chalk drawings, Friday explores the literal and metaphorical safe havens we create for self-preservation in her new site-specific installation. Taking inspiration from themes of nostalgia, family, culture, and spirituality, Friday creates an alternate reality through her art—a world untouched by the hardships and injustices of real life. Tender depictions of Black figures resting peacefully and ceramics representing everyday items that conjure comfort for the artist make up this world, portrayed in a larger-than-life scale. Gold-embellishments adorn Friday’s ceramics, a meaningful reference to the age-old tradition of bronzing precious childhood keepsakes. Through this never-before-seen body of work, Friday invites viewers into her artistic haven where memory is sacred, imagination is incorruptible, the burdens of the outside world are lifted, and the soul never grows old.

This exhibition is organized by Sarasota Art Museum of Ringling College of Art and Design, curated by Rangsook Yoon, Ph.D., senior curator, Sarasota Art Museum.

This exhibition is made possible, in part, with generous support from:

Platinum Sponsors
Judy and Fred Fiala
Katherine and Frank Martucci

Gold Sponsors
Charlotte and John Suhler

Silver Sponsors
Marge and Leon Ellin

Artist Talk

Essay

Happenings

Lacie Barbour

Curator’s Tour – April 2027

Monday, April 5, 2027 | 1 pm

Virginia Shearer in front of Christian Sampson "Vita in Motu" at Sarasota Art Museum

Director’s Tour – April 2027

Monday, April 26, 2027 | 1 pm

Lacie Barbour

Curator’s Tour – May 2027

Monday, May 3, 2027 | 1 pm

Woman at a pool club posing with two men playing pool in the background

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