
Director’s Tour – March 2027
Monday, March 29, 2027 | 1 pm







For this solo exhibition, Bunga created a temporary cardboard structure in the 30-foot-high Koski Gallery located on the Museum’s third floor. Beginning and ending as a dialogue with the existing architecture, this installation transforms the gallery’s spatial configuration for the duration of the exhibition. By deploying light as his primary conceptual basis, just as James Turrell has done before him, Bunga explains that he sculpts light, which cannot be touched, but only felt viscerally.
Accompanying Bunga’s site-responsive structure are selected photographs, videos, and paintings that further showcase the notion of light as a physical and phenomenological component, as well as a metaphor for reflection and hope in his own body of work. The exhibition also includes a set of drawings created after completing his onsite work. This post-installation phase of Bunga’s artistic practice allows him to reflect on the physical and spatial constraints that may hinder his creative process and conceptual scope. Bunga’s transformative installation and poetically resonant images invite visitors to consider how we shape and are shaped by our surroundings, to contemplate their ephemerality, and to attend to light in a time of darkness.
Silver Sponsors
Marge and Leon Ellin
Judy and Fred Fiala
Keith Monda and Veronica Brady





Monday, March 29, 2027 | 1 pm

Monday, April 5, 2027 | 1 pm

Monday, April 26, 2027 | 1 pm

Monday, May 3, 2027 | 1 pm

Photographs are, as the theorist Roland Barthes wrote, “certificates of presence,” verification that a moment, a person or a place existed. From the adoration of a loved one or the wonder felt before nature to the hardship of labor or the devastation of war, photographs can be imprinted with the totality of human experiences.

Visually striking and intricate, Chie Fueki’s paintings capture contemporary life in full motion. Known for her vibrant and densely layered works, Fueki synthesizes Japanese ukiyo-e atmospheric techniques with Western abstraction to transform familiar scenes into luminous“floating worlds.”

What does it mean to visualize the unknown? Award-winning glass artists Monica Guggisberg and Philip Baldwin examine the profound mysteries that underpin our understanding of the universe in their upcoming exhibition at Sarasota Art Museum of Ringling College of Art and Design.

Sarasota Art Museum of Ringling College of Art and Design (SAM) is pleased to participate in Blue Star Museums, a program that provides free admission to currently serving U.S. military personnel and their families during the summer. The 2026 program will begin on Armed Forces Day, Saturday, May 16, 2026, and end on Labor Day, Monday, September 7, 2026.